Copyright Year:
Publisher: Smarthistory
Language: English
Table of Contents
- Part I. A beginner's guide
- Part II. Pottery
- Part III. Daedalic and Archaic
- Part IV. Early Classical
- Part V. Classical
- Part VI. Late Classical
- Part VII. Hellenistic
ISSN 2156-2253
Copyright Year:
Publisher: Smarthistory
Language: English
Table of Contents
- Part I. A beginner's guide
- Part II. Pottery
- Part III. Daedalic and Archaic
- Part IV. Early Classical
- Part V. Classical
- Part VI. Late Classical
- Part VII. Hellenistic
Copyright Year:
Publisher: Smarthistory
Language: English
Table of Contents
Part I. Etruscan art
- 1. The Etruscans, an introduction
- 2. Bucchero, a black, burnished ceramic ware
- 3. Temple of Minerva and the sculpture of Apollo (Veii)
- 4. Apulu (Apollo of Veii)
- 5. Sarcophagus of the Spouses (Louvre)
- 6. Sarcophagus of the Spouses (Rome)
- 7. Sarcophagus of the Spouses (Rome)
- 8. Tomb of the Triclinium, Tarquinia
- 9. The Francois Tomb, Vulci
- 10. Tomb of the Reliefs, Cerveteri
- 11. The Chimera of Arezzo
- 12. Bronze Mars of Todi
- 13. Aule Metele (Arringatore)
License
Ancient Greek for Everyone Copyright © by Wilfred E. Major and Michael Laughy is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.
I. Main Body
Inscription Bibliography
In the UK A-Levels and GCSEs in Classical Civilisation and Ancient History offer exciting avenues through which to access the cultures of people who spoke ancient Greek and Latin, and their neighbours, across the ancient Mediterranean and Black Sea worlds. They are inherently interdisciplinary, offering an outstanding opportunity to study a civilisation in the round, using diverse sources from literary and philosophical texts to legal documents, inscriptions, art, architecture and archaeology. Yet many people are either unaware of the existence of these courses, or do not understand their contents. This unprecedented study, by two Classics Professors at the University of Durham with extensive experience of teaching in schools and HEIs, charts the subjects’ historical development and emergence in their current form since the mid-20th century, explaining and illustrating their contents. It describes the skills and competencies that they confer, which are valued by university admissions offices and employers alike. It presents the results of interviews with several significant participants in the story of these classical subjects and of questionnaires filled in by many additional teachers and students. It also offers practical advice on how to introduce Classical Civilisation and/or Ancient History at secondary level, with guides to bibliographical and other resources.
Published on01 August 2025208 pages
SBN:9781800856080 (Paperback) |eISBN:9781800855649 (PDF) |eISBN:9781836249856 (ePub)
Table of Contents
Chapter 1: The Classical World in Translation: A Proud British Tradition Chapter 2: Reinvigorating Classical Civilisation Education in the 20th Century Chapter 3: Ancient History Education: Past and Present Chapter 4: Voices of Experience Chapter 5: Advocacy for State School Classics Education Chapter 6: Getting Started Chapter 7: Next steps for Classics Education in Policy and Practice Appendix 1: Guide to Resources Appendix 2: Questionnaire Appendix 3: OCR GCSE and A Level Content Appendix 4: Regional Variations Bibliography Index
Copyright Year:
Publisher: Smarthistory
Language: English
Table of Contents
Part I. Cycladic
- 1. Male Harp Player from Keros
- 2. Frescoes from Akrotiri, Thera
Part II. Minoan
- 3. The Palace at Knossos (Crete)
- 4. Kamares Ware Jug - a classic example
- 5. Snake Goddess from the palace at Knossos
- 6. Bull's Head Rhyton from the palace at Knossos
- 7. Harvester Vase from Hagia Triada
- 8. Octopus Vase from Palaikastro
- 9. Statuette of a Male Figure (The Palaikastro Kouros)
- 10. Hagia Triada sarcophagus
- 11. Bull-leaping fresco from the palace of Knossos
- 12. Minoan woman or goddess from the palace of Knossos ("La Parisienne")
Part III. Mycenean Art
- 13. The "Palace" and Grave Circle A
- 14. Mask of Agamemnon
- 15. The Treasury of Atreus
- 16. Lion Gate, Mycenae
Table of Contents
Part I. A beginner's guide
- 1. Ancient Egypt, an introduction
- 2. Ancient Egyptian art
- 3. Materials and techniques in ancient Egyptian art
Part II. Predynastic and Old Kingdom
- 4. Palette of King Narmer
- 5. An introduction to the Great Pyramids of Giza (Khufu, Khafre, and Menkaure)
- 6. The Pyramid of Khufu
- 7. The Pyramid of Khafre and the Great Sphinx
- 8. The Pyramid of Menkaure
- 9. King Menkaure (Mycerinus) and queen
- 10. The Seated Scribe (Saqqara)
Part III. Middle and New Kingdom
- 11. Temple of Amun-Re and the Hypostyle Hall, Karnak
- 12. Mortuary Temple and Large Kneeling Statue of Hatshepsut
- 13. House Altar depicting Akhenaten, Nefertiti and Three of their Daughters
- 14. Portrait Head of Queen Tiye
- 15. Thutmose, Model Bust of Queen Nefertiti
- 16. Tutankhamun's tomb (innermost coffin and death mask)
- 17. Last judgement of Hu-Nefer, from his tomb
Jessica Mellenthin
Susan O. Shapiro
Copyright Year:
Publisher: Rebus Community
Language: English
Table of Contents
- Aegis
- Agamemnon and Iphigenia
- Aphrodite
- Apollo
- Ares
- The Argonauts
- Artemis
- Athena
- Caduceus
- Centaurs
- Chthonian Deities
- The Delphic Oracle
- Demeter
- Dionysus/Bacchus
- Hades
- Hephaestus
- Hera
- Heracles
- Hermes
- Hestia
- Historical Myths
- The Iliad - An Introduction
- Jason
- Miasma
- The Minotaur
- The Odyssey - An Introduction
- The Oresteia - An Introduction
- Origins
- Orpheus
- Persephone
- Perseus
- Poseidon
- Prometheus
- Psychological Myths
- Sphinx
- Story Pattern of the Greek Hero
- Theseus
- The Three Types of Myth
- The Twelve Labors of Heracles
- What is a myth?
- Why are there so many versions of Greek myths?
- Xenia
Zeus